Cast and Creative

Denzel Baidoo

Denzel Baidoo

Bukayo Saka

Denzel Baidoo

Denzel Baidoo

Bukayo Saka
Denzel Baidoo trained at the Bristol Old Vic Theatre School. His work in theatre includes The Nutcracker at the Bristol Old Vic. TV includes Suspicion (Apple TV), Screw and Consent (Channel 4). Film includes The Last Swim and Restless.
Nick Barclay

Nick Barclay

Ensemble

Nick Barclay

Nick Barclay

Ensemble
Nick Barclay’s work in theatre includes Dear England at the National Theatre (also in the West End); Charlotte and Theodore at Theatre Royal, Bath; John Gabriel Borkman, Bach and Sons and The Southbury Child (also at Chichester) at the Bridge; Private Lives, Murder with Love, Stone Cold Murder, Dial M for Murder, Murder Mistaken, The Titfield Thunderbolt, Strictly Murder, Strangers on a Train, The Fantastic Mr Fox, Dead Funny, Fly Me to the Moon and The Boundary on UK tour; Going Ape at Dance Attic; Spider’s Web at the Mill at Sonning; Twelfth Night, Engagement with Murder, The Odd Couple and The Last of the Red Hot Lovers for the Queen Elizabeth Acting Company; Five Finger Exercise at Manor Pavilion, Sidmouth; The Complete Works of Shakespeare (Abridged) for Popular Productions; Newsrevue at the Canal Cafe; Romantic Comedy for Panache and Brio; The Gareth Jones Memorial Theatre, Dangerous Corner, One Man Protest, House Guest, Treasure Island, Run for Your Wife, Spider’s Web, Communicating Doors, Dancing at Lughnasa and Look Back in Anger for Bruce James; Round and Round the Garden, Boeing Boeing, Kind Hearts and Coronets, Private Lives, Wait Until Dark, The Long Mirror, Abigail’s Party, Educating Rita, Sleuth and Wait Until Dark for Charles Vance; Art and Stones in His Pockets for SH!; and The Mousetrap and The 39 Steps on UK tours. TV includes Jumbo: the Plane that Changed the World. Film includes City of Stories, Weekender and Red Mercury and the short film A Very British Cult.
Josh Barrow

Josh Barrow

Jordan Pickford

Josh Barrow

Josh Barrow

Jordan Pickford
Josh Barrow completed the Epic Stages course with National Youth Theatre. His work in theatre includes Dear England (also in the West End) and If Not Now, When? at the National Theatre; Time and Tide at Park Theatre and Norwich Theatre; Lit for HighTide at Nottingham Playhouse; The Outsider at the Print Room; Silk Road at the Vaults Festival, Live Theatre, Newcastle and Trafalgar Studios; Zigger Zagger for the National Youth Theatre; and Just Because I’m Paranoid… and Drinking Concrete at the Royal Court. TV includes Royal Bastards: Rise of the Tudors, Vera 10 and Temple. Film includes #Hero and the short films The Trap and My Brother is a Mermaid. Audio includes First Out and If Not Now, When?
TASHINGA BEPETE

TASHINGA BEPETE

Ensemble

TASHINGA BEPETE

TASHINGA BEPETE

Ensemble
Tashinga Bepete trained at Mountview. His work in theatre includes Dear England at the National Theatre (also in the West End); Tempest for Wildcard; and Cabildo for Jessie Anand. TV includes Sex Education, Doctors, Princess Mirror-belle, Emigration and Red Rose. Film includes The Railway Children Returns, Batgirl and the short films Bittersweet and Activities of Daily Living.
GUNNAR CAUTHERY

GUNNAR CAUTHERY

Gary Lineker

GUNNAR CAUTHERY

GUNNAR CAUTHERY

Gary Lineker
Gunnar Cauthery’s work in theatre includes Dear England (also in the West End), Another World: Losing Our Children to Islamic State, The Suicide, This House and The White Guard at the National Theatre; Saving Grace at Riverside Studios; All My Sons at the Old Vic; Ravens: Spassky vs Fischer, Wild Honey, Wonderland and The Empty Quarter at Hampstead; Mack and Mabel (also on UK and Ireland tour) and The House of Special Purpose at Chichester; Little Shop of Horrors at the Royal Exchange; Privacy at the Donmar Warehouse; The Winter’s Tale and Henry V for Propeller; A View from the Bridge at Edinburgh Royal Lyceum; and Harvest at Oxford Playhouse. TV includes EastEnders, Doctor Who, Casualty, The First Team, Mars, Genius: Einstein, The Tudors, The Demon Headmaster and Just William. Film includes Indiana Jones and the Dial of Destiny, Eurovision, The Nest, War Horse and Benjamin Dove. Radio includes Home Front, Tommies, Watership Down, Reykjavík, Planet B and Wives and Daughters.
WILL CLOSE

WILL CLOSE

Harry Kane

WILL CLOSE

WILL CLOSE

Harry Kane
Will Close trained at Mountview Academy of Theatre Arts and the University of Illinois. His work in theatre includes Dear England at the National Theatre (also in the West End); Bad Altitude, 1599 and Great British Mysteries for Soho Theatre; Mediocre White Male at the King’s Head, Park Theatre and for Assembly; The Maze and The Odyssey for Teatro Vivo; Golem for 1927, the Young Vic and on international tour; Mixed Doubles at Adelaide Fringe; Good People at the English Theatre of Frankfurt; Dracula and Romeo and Juliet at the Broadway; and The Fossil at Charing Cross Theatre. TV includes Buffering and The Luisa Omielan Show. Short film includes Don’t Bury It, As Time Goes By, Animals, Flatmates and Deleting Emily. Radio includes Mediocre White Male, The Internexit, Sketchorama and Sketchorama Extra.
CRYSTAL CONDIE

CRYSTAL CONDIE

Alex Scott

CRYSTAL CONDIE

CRYSTAL CONDIE

Alex Scott
Crystal Condie trained at Bristol Old Vic Theatre School. Her work in theatre includes Dear England (also in the West End), All of Us and The Curious Incident of the Dog in the Night-Time for the National Theatre; The Wife of Willesden at Kiln; Be My Baby and Hamlet at West Yorkshire Playhouse; A Christmas Carol at Bristol Old Vic; Twelfth Night for Filter; Robin Hood and Marian, Unearthed and The Gift at the New Vic; Black Crows and Octagon at the Arcola; Rumpelstiltskin and Lrksong at Theatre Royal Bath; and The Windsors in the West End. TV includes A Whole Lifetime with Jamie Demetriou, The Lovebox in Your Living Room, Casualty and Doctors.
Joseph Fiennes

Joseph Fiennes

Gareth Southgate

Joseph Fiennes

Joseph Fiennes

Gareth Southgate
Joseph Fiennes’ work in theatre includes Dear England (also in the West End) and Love’s Labour’s Lost for the National Theatre; A View from the Bridge (also at Bristol Old Vic) and Epitaph for George Dillon in the West End; Les Enfants du Paradis, Son of Man and The Herbal Bed at the RSC; Ross and Cyrano de Bergerac at Chichester; 2000 Feet Away at the Bush; Edward II at Sheffield Crucible; A Month in the Country at the Albery; and Real Classy Affair at the Royal Court. Work in TV includes The Handmaid’s Tale, American Horror Story and Pretty/Handsome. Film includes The Mother, Risen, Strangerland, Hercules, Against the Current, The Escapist, The Color of Freedom, Running with Scissors, Goodbye Bafana, Shakespeare in Love, Man to Man, Enemy at the Gates and Elizabeth.
Will Fletcher

Will Fletcher

Jordan Henderson

Will Fletcher

Will Fletcher

Jordan Henderson
Will Fletcher trained at Bristol Old Vic and RADA. His work in theatre includes Dear England at the National Theatre (also in the West End); The Wanamaker Festival at Shakespeare’s Globe; and The Girl Who Fell at Trafalgar Studios. TV includes Lord of the Rings: The Rings of Power and Tom Jones. Film includes The Great Escaper, The Road Dance and the short films Dive, Pearly White and Conversations at Dusk. Radio includes Kingmaker.
Kate Kelly Flood

Kate Kelly Flood

Ensemble

Kate Kelly Flood

Kate Kelly Flood

Ensemble
Kate Kelly Flood’s work in theatre includes Housed at The Old Vic, Burnt Toast at the Edinburgh Assembly Rooms and Theatre503, Swallow at the Tristan Bates Theatre, Casserole for Actors East and Dumb Waiter at the Lost Theatre. TV includes I Hate Suzie Too. Film includes Forgive me Father, Unthinkable Conversations, One More, and You Don’t Know Anything.
DARRAGH HAND

DARRAGH HAND

Marcus Rashford

DARRAGH HAND

DARRAGH HAND

Marcus Rashford
Darragh Hand trained at London College of Music. Work in theatre includes Dear England at the National Theatre (also in the West End); L’amant Anonyme at Glyndebourne; Bangers for Cardboard Citizens and Soho Theatre; The Land of Lost Content at Pleasance; and For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy for Nouveau Riche at New Diorama, the Royal Court and in the West End. TV includes Grace and Silent Witness.
Will Harrison-Wallace

Will Harrison-Wallace

Ensemble

Will Harrison-Wallace

Will Harrison-Wallace

Ensemble
Will Harrison-Wallace trained at ALRA. His work in theatre includes Dear England (also in the West End) and The Lehman Trilogy (also in the West End and Park Avenue Armory, New York) at the National Theatre; The Odd Couple, Moonlight and Magnolias and A Match Made in Heaven at Frinton Summer Repertory; Hamlet on UK tour; Noye’s Fludde at Blackheath Halls Opera; Merchant of Venice at London Contemporary; Heartbreak Hotel at The Jetty, Greenwich; Peckham – The Soap Opera at the Royal Court; A View from the Bridge at the Broadway, Catford; The Water Engine at the Old Vic; Richard III on UK tour; and The Shark is Broken in the West End and Toronto. TV includes Thomas and Friends, Killer Cops and The Snipist. Film includes Spin State, The Holly Kane Experiment and Guardians of the Galaxy. Radio includes The Corrupted, Beyond the Time Machine, Frankenstein, Jamaica Inn, Mrs Warren’s Profession, Barred and Blood Brothers. Video games include Divinity – Original Sin II, The Assembly, Assassins Creed – Chronicles, Old Gods Rising, Aces & Adventures, Murderous Muses and Lords of the Fallen.
Miranda Heath

Miranda Heath

Ensemble

Miranda Heath

Miranda Heath

Ensemble
Miranda Heath trained at the Midlands Academy of Dance and Drama. Her work in theatre includes Dear England (also in the West End) and The Ocean at the End of the Lane at the National Theatre; United Queendom for Les Enfants Terribles; Small Wonders for Punchdrunk; The Jungle Book and The Comedy of Errors for Oddsocks; Twelfth Night for YellowBelly Theatre; and Betrayal in the West End. TV includes Grace, Fifteen-Love, EastEnders, Code 404, Cursed, Get Even and The Capture. Film includes Giddy Stratospheres, Get Luke Lowe and the short films Make Do or Mend, Nothing to Lose and Corpucia.
John Hodgkinson

John Hodgkinson

Greg Clarke

John Hodgkinson

John Hodgkinson

Greg Clarke
John Hodgkinson’s work in theatre includes Dear England at the National Theatre (also in the West End); The Provoked Wife, Venice Preserved, Twelfth Night, Love’s Labour’s Lost and Love’s Labour’s Won for the RSC; The Country Wife and Aristo at Chichester; The Ferryman (Olivier Award nomination) and The Eleventh Capital at the Royal Court; Orson’s Shadow at Southwark Playhouse; Donkey’s Years at the Rose, Kingston; The Libertine at the Citizens, Glasgow; Unscorched for Papatango; White Rabbit Red Rabbit and A Walk On Part (also at Soho Theatre and the Arts) for Live Theatre; Behud at Soho Theatre; His Dark Materials, Hapgood (also at West Yorkshire Playhouse), Uncle Vanya, Murmuring Judges and Racing Demon at Birmingham Rep; The Winter’s Tale for Headlong and Schtanhaus; Absurdia and The Front Page at Donmar Warehouse; A Midsummer Night’s Dream and The Taming of the Shrew at Regent’s Park; Hangmen at the Royal Court and on Broadway; and Best of Enemies for the Young Vic and Headlong in the West End. TV includes Life After Life, Catherine the Great, Red White and Blue, Rillington Place, Victoria, Witless, The Increasingly Poor Decisions of Todd Margaret, Big Bad World, The Escape Artist, Whitechapel, Silk, Holby City, Criminal Justice, Fallout, Heartbeat, Broken News, Brief Encounters – All in Day’s Work, Doctors, EastEnders, My Family, Peep Show, Lee Evans’ Show, Chambers, Kiss Me Kate, Roy Dance is Dead, People Like Us, Pure Wickedness and Boyz Unlimited. Film includes Napoleon, Heart of Lightness, Leave to Remain, Skyfall, Thunderpants and Firelight.  
LLOYD HUTCHINSON

LLOYD HUTCHINSON

Sam Allardyce

LLOYD HUTCHINSON

LLOYD HUTCHINSON

Sam Allardyce
Lloyd Hutchinson’s work in theatre includes Rockets and Blue Lights, Absolute Hell, Salome, Plough and the Stars, The Beaux Stratagem, Husbands and Sons, Collaborators, The Observer, The Permanent Way and The Night Season for the National Theatre: To Kill a Mockingbird in the West End; ; Light Falls and The Taming of the Shrew for the Royal Exchange; A Very Expensive Poison and A Flea in Her Ear for the Old Vic; King Lear and Stones in his Pockets for the Duke of York’s Theatre; The Seagull and The Birthday Party for the Lyric Hammersmith; A Midsummer Night’s Dream and A Respectable Wedding at the Young Vic; Little RevolutionMeasure for Measure and The Lightning Play for the Almeida; A View from the Bridge for Liverpool Playhouse; The Orphan of Zhao and Boris Godunov for the RSC; and Life is a Dream for the Donmar Warehouse. TV includes Joy to the World, Blackshore, Bad Sisters, Romeo & Juliet, MotherFatherSon, Manhunt, White Gold, Catastrophe, Utopia and TitanicFilm includes Mickey 17, Ballywalter, The Little Stranger, Florence Foster Jenkins, Anonymous, Mrs Henderson Presents, Pulling Moves and Gladiatress.
DERVLA KIRWAN

DERVLA KIRWAN

Pippa Grange

DERVLA KIRWAN

DERVLA KIRWAN

Pippa Grange
Dervla Kirwan’s work in theatre includes Aristocrats and Exiles at the National Theatre; A Handful of Stars and Poor Beast in the Rain at the Bush Theatre; An Absolute Turkey at Shakespeare’s Globe; Dangerous Corner at the Garrick Theatre; The Weir and Betrayal at Donmar Warehouse; Mr Foote’s Other Leg at Hampstead Theatre; Macbeth, King Lear and Uncle Vanya at Chichester Festival Theatre; Jesus Hopped the A Train at the Young Vic; Frankie and Johnny at Minerva Theatre, Chichester; Hush at the Royal Court; Fathers and Sons at The Gate Theatre, Dublin; A Little Like Drowning for Druid Company; and The Glass Menagerie at Peacock Theatre, Dublin. TV includes True Detective, The Reunion, Smother (Nominated for IFTA for Actress in a Leading Role), The Stranger, Silent Witness, Strangers, Strike Back, Krypton, Safe House, The Fuse, The Silence, Agatha Christie’s Marple, Material Girl, Moving On, Law and Order: UK, True Dare Kiss, Doctor Who, Casanova, 55 Degrees North, Hearts and Bones, Happy Birthday Shakespeare, Randall & Hopkirk, Dalziel & Pascoe, Ballykissangel, Goodnight Sweetheart. Film includes The Keeper, Interlude in Prague, Luna, Silent Hours, Entity, Ondine, Dangerous Parking, School for Seduction, December Brides, With or Without You, Pete’s Meteor.
ALBERT MAGASHI

ALBERT MAGASHI

Jadon Sancho

ALBERT MAGASHI

ALBERT MAGASHI

Jadon Sancho
Albert Magashi trained at Italia Conti. Dear England is his professional theatre debut. TV includes Still Up and Sherlock. Film includes Firecracker and the short film Anthony.
Tom Mahy

Tom Mahy

Ensemble

Tom Mahy

Tom Mahy

Ensemble
Tom Mahy trained at Drama Centre London. His work in theatre includes Brokeback Mountain at Soho Place Theatre; Othello and The Importance of Being Earnest at the Changeling Theatre; and Vincent River at Trafalgar Studios (nominated for Offie for Best Male Performance). TV includes Small Axe.
KEL MATSENA

KEL MATSENA

Raheem Sterling

KEL MATSENA

KEL MATSENA

Raheem Sterling
Kel Matsena trained at Bristol Old Vic. His work in theatre includes Dear England at the National Theatre (also in the West End); A Monster Calls at the Old Vic and on UK tour; and A Midsummer Night’s Dream (as director) at the Royal Welsh College of Music and Drama. TV includes alwad, Brothers in Dance: Anthony & Kel Matsena and Doctors. Film includes Mad Heidi and the short films Are You Numb Yet? and Romantic Gestures. He is Co-Artistic Director of Matsena Productions.
LEWIS SHEPHERD

LEWIS SHEPHERD

Dele Alli

LEWIS SHEPHERD

LEWIS SHEPHERD

Dele Alli
Lewis Shepherd graduated from Rose Bruford College in 2022 and was a Spotlight Prize Nominee the same year. His work in theatre includes Dear England at the National Theatre (also in the West End); Super High Resolution for Soho Theatre; and I F*cked You in My Spaceship for Vaults Festival. Film includes 10 Swords and The Moon for Shopfloor Films. Lewis is the Founder and Artistic Director of the arts collective INCEPT COLLECTIVE.
Griffin Stevens

Griffin Stevens

Harry Maguire

Griffin Stevens

Griffin Stevens

Harry Maguire

Griffin Stevens trained at ArtsEd. His work in theatre includes Tom Stoppard’s Leopoldstadt for the Wydndham’s Theatre directed by Patrick Marber; Inkheart for Home Theatre in Manchester; Skull in Connemara directed by Chris Lawson and the UK tours of Dealers Choice and In Praise of Love directed by Patrick Kearns.

TV includes Absentia Series 2 for Sony; The Split for the BBC and Jack Thorne’s Glue for Channel 4. Film includes The Critic directed by Anand Tucker and The Roads Not Taken for BFI/BBC Films.

PAUL THORNLEY

PAUL THORNLEY

Mike Webster

PAUL THORNLEY

PAUL THORNLEY

Mike Webster
Paul Thornley’s work in theatre includes Dear England (also in the West End), London Road, Noises Off and The Miracle at the National Theatre; The Three Musketeers at the Rose, Kingston; It’s a Wonderful Life at the Wolsey, Ipswich; In the Red and Brown Water at the Young Vic; Not a Game for Boys at Manchester Library; Private Fears in Public Places at the Stephen Joseph, Scarborough, the Orange Tree and New York; Escape from Pterodactyl Island for Brave New World; Up on the Roof at the Mercury, Colchester; Kiss Me, Kate and Paint Your Wagon for the New Shakespeare Company; The Tempest and All’s Well That Ends Well at Regent’s Park; and A Chorus of Disapproval, Harry Potter and the Cursed Child (also on Broadway), Spend Spend Spend and Scrooge in the West End. TV includes Sexy Beast, Criminal Record, A Small Light, The Gold, Vera, Lockwood and Co., Silent Witness, The Sister Boniface Mysteries, The Nevers, Rise of the Tudors, Agatha Raisin IV, Treadstone, Shakespeare and Hathaway, Good Karma Hospital, Trauma, The Crown, Father Brown, By Any Means, Trollied, Big Bad World, Above Suspicion, Silk, Just William, Poirot, In Dalston No One Can Hear You Scream, Murderland, Mutual Friends, The Bill, Ashes to Ashes, Rapunzel, Foyle’s War, Love Soup, Life Begins, Death Becomes Him, Recovery, Viva Blackpool, Green Wing, The Brief, Midsomer Murders and Alibi. Film includes The Unlikely Pilgrimage of Harold Fry, The Mercy, Minions, The Brothers Grimsby, London Road, Man Up, Camera Trap, Les Misérables, Broken, The Somnambulists and Metamorphosis.
TONY TURNER

TONY TURNER

Greg Dyke

TONY TURNER

TONY TURNER

Greg Dyke
Tony Turner’s work in theatre includes Dear England (also in the West End), The Visit, This House, Burnt by the Sun, Present Laughter, Playing with Fire, The UN Inspector and The Alchemist at the National Theatre; The Quest for the RSC; The School for Scheming at the Orange Tree; Journey’s End on tour; Personal Enemy for Brits Off Broadway at 59E59; Ink (also in the West End), Measure for Measure, Big White Fog and Enemies at the Almeida; The House of Special Purpose at Chichester; One Night in November at the Belgrade; The Jail Diary of Albie Sachs at Salisbury Playhouse; A Mad World, My Masters and Neville’s Island at New Wolsey, Ipswich; The Madness of George III at West Yorkshire Playhouse; The Danny Crowe Show at the Bush; Christmas Carol at New Vic; Talent at Colchester and Watford Palace; Communicating Doors at Manchester Library Theatre; Macbeth and Othello at Liverpool Everyman; Romeo and Juliet at Birmingham Rep; The Mirror and the Light, Journey’s End, This House and The Curious Incident of the Dog in the Night-Time in the West End. TV includes Gentleman Jack, Quiz, Delicious, Downton Abbey, Loving Miss Hatto, Holby City, Silk, Doctors, Maxwell, Party Animals, Gavin and Stacey, Trial and Retribution XIII, Derailed, Foyle’s War, Eyes Down, Red Cap, Heartbeat, Always and Everyone, Coronation Street, The Ward, The Lakes, The Bill, Children’s Ward, The Riff Raff Element, Emmerdale and September Song. Radio includes The Archers and work with the BBC Radio Drama Company.
TRISTAN WATERSON

TRISTAN WATERSON

Ensemble

TRISTAN WATERSON

TRISTAN WATERSON

Ensemble
Tristan Water’s work in theatre includes Tree for Green Door Productions; Beautiful Thing at the Tobacco Factory and on tour; The Spine at Unity Theatre and on tour; All Roads at New Wimbledon Studio and on tour. TV includes Life of Boys and Kidnapped. Film includes Holy Beef. Radio includes Faith, Hope & Glory.
RYAN WHITTLE

RYAN WHITTLE

Eric Dier

RYAN WHITTLE

RYAN WHITTLE

Eric Dier
Ryan Whittle trained at the Royal Welsh College of Music and Drama. His work in theatre includes Dear England (also in the West End) and Othello at the National Theatre; Not Quite Jerusalem at the Finborough; Letters to Morrissey for Catalyst Festival; What Happens Next Will _____Your _____ and The Watching at the White Bear; No Quarter and Our Lords and Masters in their Human Form for Duelling Productions; King Charles III for the Almeida, Birmingham Rep and on UK tour; The Duchess of Malfi and Ring Ring for the Richard Burton Company; and Punk Rock for D&M. Film includes End of Term and the short films Real News, Simon is a Pr*ck and Hope and Ruin. Radio includes First of Millions, Berlin Alexanderplatz, Dangerous Liaisons, Behind Closed Doors: More than Kissing, All These Things, The Haunting of M R James, An Ideal Husband, The Tragedy of Master Arden of Faversham, The Big Broadcast, Tommies, Nights at the Circus, Home Front, The Republicans, Rhoda and Pete Get Back on the Scene, First World Problems, The Archers, Wuthering Heights, The Merchant of Venice, From a Great Height, The Double, County Lines, Gudrun, Dot, Earthsea, The Steal, The Trials of CB King, In Vino Veritas, The Man Who Would Be King and Inspector Chen: Shanghai Redemption.

JAMES GRAHAM

Writer

JAMES GRAHAM

Writer
James Graham is a playwright and screenwriter. His work in theatre includes Dear England and This House at the National Theatre and in the West End; Privacy at the Donmar Warehouse and the Public, NY; Finding Neverland on Broadway and US tour; Best of Enemies (Critics’ Circle Award, Olivier nomination) at the Young Vic and in the West End; Ink at the Almeida and in the West End and also on Broadway (nominated for six Tony Awards® and Best Play winner at Evening Standard Awards); Tammy Faye at the Almeida and in the West End; and Labour of Love (Olivier award) in the West End. TV includes Sherwood (RTS Best Series Award winner), Quiz and Brexit: An Uncivil War (Emmy nomination, BAFTA). Film includes X+Y (Toronto International Film Festival selection 2014). James Graham received an OBE in 2020 for services to drama and young people.

RUPERT GOOLD

Director

RUPERT GOOLD

Director
Rupert Goold is the Artistic Director of the Almeida. He was founding Artistic Director of Headlong 2005–2013, Artistic Director of Northampton Theatres 2002–2005 and is an Associate Director at the RSC. As director, work for the Almeida includes Women, Beware the Devil, Tammy Faye, Patriots, Spring Awakening, Albion, The Hunt, Shipwreck, Richard III, Medea, The Merchant of Venice, The Last Days of Judas Iscariot, American Psycho (also Broadway), Ink and King Charles III (also in the West End and on Broadway). Other productions include The Effect and Earthquakes in London for Headlong and the National Theatre; Time and the Conways at the National Theatre; The Merchant of Venice, Romeo and Juliet and Speaking Like Magpies for the RSC; The 47th at the Old Vic; The Lion, the Witch and the Wardrobe at Kensington Gardens; King Lear for Headlong at Liverpool Everyman and the Young Vic; ENRON (also on Broadway) and Six Characters in Search of an Author for Headlong in the West End; and Made in Dagenham, Macbeth (also at Chichester and on Broadway), Oliver!, The Glass Menagerie and No Man’s Land in the West End. Opera includes Turandot for English National Opera; and Le comte Ory for Garsington Opera. TV includes Macbeth, King Charles III and Richard II. Film includes Judy and True Story. Rupert Goold has twice received Olivier, Critics’ Circle and Evening Standard awards for Best Director and won a Peabody Award in 2011 for Macbeth. He received a CBE in 2017 New Year’s Honours for services to drama.

ES DEVLIN

Set designer

ES DEVLIN

Set designer
Artist and designer Es Devlin’s recent works include the large-scale choral sculpture ‘Come Home Again’ outside the Tate Modern which fused drawings and voices of 243 endangered London species; Conference of the Trees, which brought together 197 trees at COP26 in Glasgow; Memory Palace at Pitzhanger Manor which mapped shifts in human perspective over 73 millennia; Forest of Us which forms part of the inaugural exhibition at Superblue Miami alongside new works by TeamLab and James Turrell. Her recent theatre work includes The Motive and the Cue (also in the West End), The Lehman Trilogy (also in the West End and on Broadway), The Crucible (also in the West End), Light Shining in Buckinghamshire and Ugly Lies the Bone at the National Theatre; A Number at the Old Vic; Girls and Boys and The Nether at the Royal Court; Faith Healer at the Donmar; Hamlet at the Barbican; and Chimerica at the Almeida. Es Devlin has conceived stage sculptures with Beyoncé, The Weeknd, U2, Kanye West, Saint Laurent, Dior and the 2021 and 2022 Super Bowl halftime shows featuring Dr Dre, Kendrick Lamar and Eminem, as well as Olympic Ceremonies in London and Rio. She was the first woman to design the UK Pavilion at EXPO 2020 and her practice was the subject of the Netflix documentary series Abstract: The Art of Design. Her design for The Lehman Trilogy won the 2022 Tony Award® and she has previously been awarded The London Design Medal, three Olivier awards, doctorates from the universities of Bristol, Kent and UAL, and a CBE.

EVIE GURNEY

Costume Designer

EVIE GURNEY

Costume Designer
Evie Gurney studied at Central Saint Martins, graduating with a BA in Fashion Communication and Promotion and at the Royal College of Art, graduating with an MA in Curating Contemporary Art. Her work in theatre includes Dear England (also in the West End), Much Ado About Nothing and Antony and Cleopatra at the National Theatre; Women, Beware the Devil and The Hunt at the Almeida; The Vortex at Chichester; Måsen / The Seagull at Dramaten, Stockholm; and The 47th at the Old Vic. She won the Stage Debut Award for Best Designer in 2019.

Jon Clark

Lighting Designer

Jon Clark

Lighting Designer
Jon Clark is a Tony and Olivier award-winning lighting designer. He has designed extensively in the West End, on Broadway, for the National Theatre, Royal Opera House, Royal Shakespeare Company and with many other companies in the UK and internationally. His work in theatre includes The Motive and the Cue (also in the West End), The Lehman Trilogy (also on Broadway and in the West End), The Effect, Amadeus, ANNA, Othello and Hamlet at the National Theatre; The Book of Dust and A German Life at the Bridge; Evita at Regent’s Park; The Lorax at the Old Vic, in the US and in Toronto; The Jungle at St Ann’s Warehouse and the West End; Betrayal, King Charles III and The Inheritance (also at the Young Vic) in the West End and on Broadway; Cyrano de Bergerac at BAM, NY and in the West End; Aspects of Love and Stranger Things: The First Shadow in the West End; and A Doll’s House on Broadway. Opera includes Hamlet at the Metropolitan Opera and Glyndebourne; The Exterminating Angel at the Metropolitan Opera, Royal Opera House and Saltzburg Festival; Macbeth in Copenhagen and Valencia; Król Roger at Royal Opera House and Sydney Opera House; and Written on Skin at Festival d’Aix-en-Provence, Royal Opera House, Lincoln Center and internationally. Jon Clark won a Tony Award® for The Lehman Trilogy on Broadway, an Olivier Award for The Inheritance, a Green Room Award for King Roger in Australia and a Knight of Illumination award for Three Days of Rain.

Ellen Kane

Co-Movement Director

Ellen Kane

Co-Movement Director
Ellen Kane’s work in theatre includes Legally Blonde at Regent’s Park; A Chorus Line and West Side Story at Leicester Curve; Groundhog Day The Musical (co-choreographer; Tony and Olivier award nominations) at the Old Vic and on Broadway; Pieces of String at the Mercury, Colchester; Matilda the Musical (as worldwide associate choreographer) for the RSC in Stratford, the West End, on Broadway, US, Australia, New Zealand, UK and international tours; Billy Elliot the Musical (as international choreographic supervisor and associate) in the West End, on Broadway, in Chicago and on US, Australia, Holland and UK tours; and Women on the Verge of a Nervous Breakdown and, as associate choreographer, Charlie and the Chocolate Factor, Sister Act and The Lord of the Rings in the West End. TV includes Gangsta Granny Strikes Again and Children in Need’s Musical in a Week. Film includes Matilda and Cats. Music videos include Elton John’s ‘Electricity’.

Hannes Langolf

Co-Movement Director

Hannes Langolf

Co-Movement Director
Hannes Langolf is a German-born physical theatre artist, based in London. His independent stage productions include DANDELION with Ermira Goro for The Onassis Cultural Center, Athens; UNRUHE for the Susanne Linke Dance Company, Germany; and THE FALL with Joy Alpuerto Ritter for Orsolina28, Italy, among others. Recent work includes choreographing for the film Catherine Called Birdy, and duetting with Akram Khan in Breathless Puppets, an animated film produced by Manchester International Festival. Langolf was DV8 Physical Theatre’s first Creative Associate and formed part of the original cast of the critically acclaimed stage productions To Be Straight with You (Olivier Award nomination), Can We Talk About This? and JOHN, in which he performed the title role. All three productions, conceived and directed by Lloyd Newson, toured internationally and were performed at the National Theatre. He continued his role as Creative Associate as well as tour director for the much-anticipated recreation of DV8’s Enter Achilles in 2019–20, produced by Rambert and Sadler’s Wells. Langolf has collaborated with numerous artists and companies, including William Forsythe, Wayne McGregor, Lost Dog and Punchdrunk. He works as creator and educator for institutions and organisations across the globe and was nominated as one of the 100 most influential and innovative people working across Britain’s creative industries by The Hospital Club, London. In 2022, Langolf founded MOONWALKING BEAR PRODUCTIONS, a home for his creative ideas, a hub for innovation and collaboration, and a launch pad to support new talent.

DAN BALFOUR

Co-Sound Designer

DAN BALFOUR

Co-Sound Designer
Dan Balfour is a sound designer. Recent work includes I AM KEVIN for Wildworks; How to Break Out of a Detention Centre and Wipe These Tears for Bezna Theatre; One of Them Ones for Pentabus; Assembly for Wayward Productions; Les Dawson: Flying High for So Television, Edinburgh Fringe and on UK tour; The Dance of Death at Theatre Royal Bath and on UK tour; The Misfortune of Others and Sugar Syndrome at the Orange Tree; LAVA on UK tour; The Tempest at the Pleasance; Private Peaceful at Nottingham Playhouse and on UK tour; The Hatchling (a large-scale event) for Trigger Productions; Two Character Play and Wilderness at Hampstead; Can I Live? and Voices of the Earth for Complicité; Pavilion at Theatr Clwyd; HOME at the Young Vic; hang for Sheffield Crucible; and Operation Mincemeat at New Diorama and Southwark Playhouse. He has been nominated for three Off-West End Awards for Best Sound Design, for his work on Operation Mincemeat, Great Apes and Blood Wedding.

TOM GIBBONS

Co-Sound Designer

TOM GIBBONS

Co-Sound Designer
Tom Gibbons is a sound designer and composer for theatre, musical theatre, film and live installation. Work includes After Life, The Antipodes, Home, I’m Darling (also at Theatr Clwyd and in the West End), Hedda Gabler, Sunset at the Villa Thalia, The Red Barn and People, Places and Things (Olivier Award for Best Sound Design) at the National Theatre; White Devil and As You Like It for the RSC; Cabaret at Göteborg Opera; Oresteia and Hamlet at the Park Avenue Armory, New York; Animal Farm on UK tour; Judas at Internationaal Theatre, Amsterdam; The Doctor (also at Internationaal Theatre, Amsterdam, Burgtheater and in the West End), Oresteia, Mr Burns, 1984 (also in the West End and on Broadway) and Hamlet (Olivier Award nomination for Best Sound Design; also in the West End) at the Almeida; The End of History, Pah-La, The Woods and Love Love Love at the Royal Court; Oedipus at Toneelgroep Amsterdam; Fanny and Alexander and The Lorax at the Old Vic; A View from the Bridge (Olivier nomination for Best Sound Design), Life of Galileo, Happy Days, A Season in the Congo and Disco Pigs at the Young Vic; Les Misérables at Wermland Opera, Sweden; The Crucible on Broadway; The Moderate Soprano and Elephants at the Hampstead; Translations at Sheffield Crucible; The Absence of War and Romeo and Juliet for Headlong; Lion Boy for Complicité; Henry IV and Julius Caesar at the Donmar and St Ann’s Warehouse; and All About Eve and Best of Enemies (also at the Young Vic) in the West End.

ASH J WOODWARD

Video Designer

ASH J WOODWARD

Video Designer
Ash J Woodward specialises in video and projection design for live performance. Woodward has designed and animated content for large-scale shows in the West End, on Broadway and around the world. Work includes hand drawn, 2D and 3D animation, cinematography, visual effects and design work for other live performance genres such as live music, exhibitions, and art installations. Woodward is an Associate Artist at Squint Theatre Company. Woodward’s work in theatre as video and projection designer includes Hex at the National Theatre; Harry Potter and the Cursed Child worldwide; Local Hero at Chichester; Famous Five the Musical at Theatr Clwyd; The 47th at the Old Vic; The Glass Menagerie at Duke of York’s; Can I Live? for Complicité; The Beauty Parade at Wales Millennium Centre; Bletchley Park Hut 11A at Bletchley Park; Armadillo at The Yard; Molly for Squint; and Patriots in the West End.

MAX PERRYMENT

Additional Music

MAX PERRYMENT

Additional Music
Max Perryment’s work in theatre includes Jitney for Headlong at the Old Vic; Sunset Shift for PoliNations; Corrina, Corrina for Headlong at Liverpool Everyman; Living Newspaper and Is God Is at the Royal Court; Romeo and Juliet at Shakespeare’s Globe; Miss Julie for Chester Storyhouse and on UK tour; Shipwreck at the Almeida; The Convert, In a Word and The Tide at the Young Vic; The Sweet Science of Bruising (also at Wilton’s Music Hall), Last of the Boys and Dear Brutus at Southwark Playhouse; The Rise and Fall of Little Voice at Park Theatre; Utility at the Orange Tree; Twilight: Los Angeles, 1992 at the Gate, Notting Hill; Romeo and Juliet at the Orange Tree; Hair at the Vaults, Hope Mill, Manchester and on UK tour; Broken Dreams and Blood and Water at Kestrel Theatre: HMP Springhill and the Royal Court; Start Swimming at the Young Vic and Summerhall, Edinburgh; Replay (also at 59E59, New York) and Goodbear at Soho Theatre; Landmines at the BRIT School, Ovalhouse and the Otherplace, Brighton; Skin of the Teeth at the Vaults and Ophelia Theatre, New York; Nest at the ArtsDepot, Brighton Fringe and on UK tour; Dust at New York Theatre Workshop, Trafalgar Studios and Soho Theatre; and Rasheeda Speaking and A Guide for the Homesick at Trafalgar Studios; and One Woman Show on UK tour and in the West End. TV includes Footsteps of Tagore. Film includes 7 Keys, David vs. Goliath, Buddy Goes to Nollywood and the short films The Everlasting Club, Ma’am and Waiting for Fukushima. Audio includes People Who Knew Me, Skyscraper Lullaby and The Half Life of Joshua Jones.

BRYONY JARVIS-TAYLOR

casting director

BRYONY JARVIS-TAYLOR

casting director
Bryony Jarvis-Taylor is Deputy Head of Casting at the National Theatre. Work at the National Theatre includes The Witches, The OdysseyDear EnglandDixon and DaughtersRomeo and JulieMuch Ado About NothingTrouble in MindHex (2021/2022), After LifeDick WhittingtonThe Visit, or the old lady comes to callMy Brilliant Friend and Peter Gynt. Freelance projects include The Enormous Crocodile for Roald Dahl Storytelling Company, Leeds Playhouse and Regent’s Park; What It Means at Wilton’s Music Hall; and The Importance of Being Earnest for English Touring Theatre. Films for TV include Romeo and Juliet.

Cathleen McCarron

Company Voice Work

Cathleen McCarron

Company Voice Work
Cathleen McCarron trained at the Royal Central School of Speech and Drama, the Royal Conservatoire of Scotland and the University of Edinburgh. She is Head of Voice at the National Theatre and previously spent six years as Senior Voice and Text Practitioner at the Royal Shakespeare Company. She has coached extensively in professional theatre companies for over a decade and has taught widely in drama schools and training institutions across the UK and abroad. She has coached voice and presentation skills in a range of businesses and organisations including the United Nations and Apple, and is a regular narrator of audiobooks, specialising in writers from her native Scotland.

RICHARD RYDER

Dialect Coach

RICHARD RYDER

Dialect Coach
Richard Ryder has been working as a voice coach for more than 20 years and he has an accent app for actors called ‘The Accent Kit’, a free download for iPhone and Android. His work for the National Theatre includes Our Country’s Good, Jane Eyre, Waste, One Man, Two Guvnors, A Taste of Honey, Blurred Lines, Protest Song, 50 Years on Stage, Emil and the Detectives, Home, Romeo and Juliet, Untold Stories, Table, This House, Port, Cocktail Sticks and Hymn. Other work includes The Southbury Child, Allelujah!, A Christmas Carol and The Book of Dust – La Belle Sauvage at the Bridge; Greek (the Opera) at Hannover Opera House; My Fair Lady at Cologne Opera House; Street Scene at Teatro Real, Madrid and Cologne Opera House; Richard III for Headlong; Sons of the Prophet, Cell Mates, iHo, Race and Hysteria at Hampstead; Holy Sh!t, The Invisible Hand, The House That Will Not Stand, Multitudes, A Wolf in Snakeskin Shoes, Red Velvet and One Monkey Don’t Stop No Show at Kiln; Ah, Wilderness! and A Streetcar Named Desire at the Young Vic; and The Moderate Soprano, Labour of Love, Glengarry Glen Ross, Harry Potter and the Cursed Child, Orlando, The Entertainer, Kinky Boots, Red Velvet, The Elephant Man, Fatal Attraction, Uncle Vanya and Barking in Essex. TV includes Black Cab, Alex Rider, Henpocalypse, Pennyworth, Raised by Wolves and Cradle to the Grave. Film includes Allelujah!, 6 Minutes to Midnight, Holmes and Watson, Lady in the Van and Set Fire to the Stars. www.richardrydervoice.com

ELIN SCHOFIELD

Associate Director

ELIN SCHOFIELD

Associate Director
Elin Schofield is a director, writer and movement director. She co-founded and directed both award-winning, small-scale touring company Footprint Theatre and the Young Company (18–25) at Sheffield Theatres. She trained as a director on Sheffield Theatre’s The Bank Scheme and Company Three’s Making Work with Young People Course. She has been a part of the Royal Court’s Playwriting Group and the Sheffield Theatres’ Playwriting Group. Her work as a director includes Scissors (Best Director, UK Theatre Awards) for Sheffield Theatres; The Queen’s Head at Battersea Arts Centre; Screwdriver (also co-writer) for the Lyric Hammersmith, and Sheffield Theatres; This Is Not a Demo for Sheffield Young Company; and Signals and Daniel for Footprint and on UK tour. Her work as assistant and associate director includes Standing at the Sky’s Edge at the National Theatre and for Sheffield Theatres; LOVE at Park Avenue Armory and on European tour; Talent and hang for Sheffield Theatres; The Narcissist at Chichester; Pop Music for Paines Plough and on UK tour; and Stick Man on UK tour and in the West End. Work as a movement director includes Seagulls at Bolton Octagon; The Changing Room for Sheffield Theatres; and The Snow Queen and The Nutcracker for Theatr Clwyd.

Benjamin Lucraft

Associate Set Designer

Benjamin Lucraft

Associate Set Designer
Benjamin trained in architecture at the Mackintosh School of Architecture at the Glasgow School of Art and at the Royal Danish Academy of Fine Arts in Copenhagen. His work as an associate designer includes 2022 Super Bowl Halftime Show featuring Dr Dre with Kenrick Lemar, Snoop Dogg, Mary J Blige, Eminem, and Anderson Paak; 2022 Florence and the Machine’s Dance Fever Tour; and Es Devlin’s forthcoming Monograph: An Atlas of Es Devlin. Ben previously worked as a designer at Jason Bruges Studio in London and for the artists SUPERFLEX in Copenhagen.  

WILL BROWN

Associate Set Designer

WILL BROWN

Associate Set Designer
Will Brown has an MA in Architecture from the Royal College of Art, BArch in Architecture from the University of Nottingham and RIBA Part III from the University of Westminster, London. His experience includes assisting Es Devlin’s full-time studio associates on The Weeknd, After Hours Till Dawn, European stadium tour, and on Come Home Again, a choral sculpture by Es Devlin at the Tate Modern. He worked as the architect for Greenpeace and the Joint Charities, Glastonbury Festival, 2022. He was a project architect for the Design District, London, Buildings C1 & D1; Citadel, Birmingham; and The Front Room, Community Hub, Birmingham. He was a part II associate for Civic Square, Birmingham; and ADA National College for Digital Skills, London. As a designer his work includes Friday Lates and Buckminster Fuller Exhibit for the Victoria and Albert Museum.

BEN JACOBS

Associate Lighting Designer

BEN JACOBS

Associate Lighting Designer
Ben Jacobs trained in lighting design at the Royal Central School of Speech and Drama. His work has been nominated for the Off West End Award for Best Lighting Design four times, as well as winning the award in 2018 and 2022. Work as a lighting designer includes Dawn French is a Huge Twat on UK tour and in the West End; Evita at Parque Villa-Lobos, Sao Paulo; King Hamlin at Park Theatre; Salome, Seussical and Bring it On at Southwark Playhouse; A Midsummer Night’s Dream at Wilton’s Music Hall; Caterpillar at Stephen Joseph; The Sorrows of Satan at Brocket Hall; Dolphins & Sharks, Melting Pot, Maggie & Pierre and The Retreat at Finborough; NoMad, Lord of the Flies and Edward II at Greenwich; Nora: A Doll’s House, H.R.Aitch, Heartbreak House, Carmen, Twang, Privates on Parade and Imagine This at the Union; Midlife Cowboy and Freefall at Pleasance; Sister at Ovalhouse; People We Didn’t Quite Meet, Red and Are We Stronger Than Winston at The Place; Proud, Southern Belles, Stripped and The Stones at King’s Head; Caterpillar, In Event of Moone Disaster, The State We’re In, Elexion and Red Like Embers at Theatre503; Blood Wedding, The Lower Depths, Hamlet, Burial at Thebes, Love and Information and Secret Circus at RCSSD; Cuncrete and Mrs Armitage and the Big Wave on UK tour. Work as associate lighting designer includes Les Misérables on UK tour, in the West End and internationally; ANNA at the National Theatre; Le nozze di Figaro at Glyndebourne; Sondheim’s Old Friends at the Sondheim and Gielgud; Ostalgie at National Theatre Studio; Project O at Southbank Centre; and Crave at Prague Quadrennial.

ALEX Twiselton

ASSOCIATE SOUND DESIGNER

ALEX Twiselton

ASSOCIATE SOUND DESIGNER
Alex Twiselton’s sound design credits include Up Next, Network (National Theatre/Broadway), The Phlebotomist, (Hampstead Theatre), The Trial, Oh My Sweet Land, Safe House, Sizwe Banzi Is Dead (Young Vic), A Man of No Importance, Little Shop of Horrors Dangerous Corner, Anne and Zef, Stepping Out, Spread a Little Happiness, Epsom Downs, Blackbird, Death and the Maiden, A Taste of Honey, A Game of Love and Chance, The Country, Faith Healer (Salisbury Playhouse), Toro! Toro! (UK Tour), The Girl in the Yellow Dress (Theatre503). His associate sound designer credits include PoliNations (Birmingham), Red Velvet (West End), A View from the Bridge (Young Vic/West End/Broadway/LA/Washington DC) and Our Country’s Good (Out of Joint, UK and US Tour).

RASHEKA CHRISTIE-CARTER

RESIDENT DIRECTOR

RASHEKA CHRISTIE-CARTER

RESIDENT DIRECTOR
Rasheka is a theatre maker, specialising in stage and audio productions. Her stage directing credits include Must Be This Gay To Ride and Gate Number 5 and audio directing credits include Some Of Us Exist in the Future and Lest We Forget. She is also developing multiple musicals and plays, one being a women in football-focused play with the Football Association. She has also worked as an Assistant Director/Resident Director in notable productions, including To Kill A Mockingbird, My Fair Lady, Bring It On the Musical and next will be working on MJ the Musical.